La compagnie th\u00e9\u00e2trale Les Perroquets de Bangui a pris son envol le 27 juin pour participer \u00e0 deux festivals panafricains qui doivent marquer un nouveau jalon dans son parcours international, selon le m\u00e9dia Oubangui M\u00e9dias. Fond\u00e9e en 2010 apr\u00e8s la scission d’un pr\u00e9c\u00e9dent collectif, la troupe centrafricaine s’est b\u00e2ti au fil des ans une r\u00e9putation qui d\u00e9passe largement les fronti\u00e8res du pays.<\/p>\n\n\n\n
Un palmar\u00e8s qui a fait conna\u00eetre la Centrafrique<\/p>\n\n\n\n
Compos\u00e9e notamment des com\u00e9diens Baba Kpignon, Sokpe et Yanganda Benjamin, la troupe cultive un th\u00e9\u00e2tre populaire et engag\u00e9 qui puise dans le quotidien centrafricain pour aborder, avec humour et gravit\u00e9 m\u00eal\u00e9s, des sujets de soci\u00e9t\u00e9. Son parcours est jalonn\u00e9 de distinctions r\u00e9gionales et internationales : vice-championne d’Afrique lors de l’\u00e9dition 2017 du concours \u00ab Africa’s Got Talent \u00bb, elle avait ensuite d\u00e9croch\u00e9 le prix de la meilleure interpr\u00e9tation lors de la 17e \u00e9dition du Festival mondial du th\u00e9\u00e2tre amateur, en 2021.<\/p>\n\n\n\n
Ces nouvelles participations \u00e0 des rendez-vous panafricains s’inscrivent dans la continuit\u00e9 de cette trajectoire, la compagnie ayant d\u00e9j\u00e0 repr\u00e9sent\u00e9 la Centrafrique par le pass\u00e9 \u00e0 des concours et festivals internationaux de th\u00e9\u00e2tre, notamment au Gabon. Pour les acteurs culturels centrafricains, ce type de d\u00e9placement constitue une vitrine pr\u00e9cieuse pour un secteur des arts vivants qui peine souvent \u00e0 trouver des financements et une visibilit\u00e9 \u00e0 la hauteur de son dynamisme.<\/p>\n\n\n\n
Le programme d\u00e9taill\u00e9 des deux festivals auxquels participe la troupe cet \u00e9t\u00e9, ainsi que le nom des \u0153uvres pr\u00e9sent\u00e9es, n’ont pas encore \u00e9t\u00e9 pr\u00e9cis\u00e9s dans les comptes rendus disponibles \u00e0 ce stade. Le retour des Perroquets de Bangui \u00e0 Bangui, et un \u00e9ventuel bilan de cette tourn\u00e9e, sont attendus dans les prochaines semaines.<\/p>\n\n\n\n
Au-del\u00e0 du seul succ\u00e8s de cette compagnie, son parcours illustre la vitalit\u00e9 d’une sc\u00e8ne th\u00e9\u00e2trale centrafricaine qui continue de produire, malgr\u00e9 des moyens limit\u00e9s, des \u0153uvres capables de rivaliser sur les plus grandes sc\u00e8nes du continent. Dans un secteur culturel o\u00f9 les financements publics restent rares, la capacit\u00e9 de troupes comme celle-ci \u00e0 s’autofinancer et \u00e0 d\u00e9crocher des invitations internationales est r\u00e9guli\u00e8rement cit\u00e9e par les acteurs culturels centrafricains comme un exemple \u00e0 suivre pour d’autres disciplines artistiques du pays, qu’il s’agisse de la musique, de la danse ou des arts visuels.<\/p>\n\n\n\n
Source : Oubangui M\u00e9dias (oubanguimedias.com), article du 1er juillet 2026.<\/p>\n","protected":false},"excerpt":{"rendered":"
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